Interview with Sahar Mirhadi

Image of Sahar Mirhadi

Comedy Blogedy: How long have you been gigging in stand-up?

Sahar Mirhadi: I having been gigging solidly since May with an average 3-4 gigs a week and getting myself out there!

Comedy Blogedy: How would you describe your comedy?

Sahar Mirhadi: It has lots of energy and I attempt to de-mystify things with the bluntness of a hippo in a pink tutu. I look and discuss issues surrounding my life and body, random observations and dispelling myths about my Iranian heritage. I keep it a little crude with references to breasts, hair and orgasms! That way you can cater to all tastes!

Interview with Elena Kombou

Elena Kombou

Comedy Blogedy: How long have you been gigging in stand-up?

Elena Kombou: I started stand up at the end of October 2010, so about one year and two months. It’s something I wanted to do for ages and I started writing material when I was in my teens but was too nervous and too worried that I wouldn’t get any laughs and then that would ruin comedy for me forever so I kept putting it off.  It was going to the Edinburgh Festival last year that gave me the kick I needed to do it.  I enjoyed the festival but wanted to be more than just a member of audience and promised myself that the next year I’d be there as a performer.

Interview with Raoul Malhotra

Image of Raoul MalhotraComedy Blogedy: How long have you been gigging in stand-up?

Raoul Malhotra: My first gig was at school when I was 16 (now I’m 20), but I do stand up quite infrequently so it wouldn’t really be fair to say I’ve done it for four years. I’ve done gigs ranging from crowd sizes of 10 to 200, and have had a great time performing

Comedy Blogedy: How would you describe your comedy?

Raoul Malhotra: You wouldn’t like it if you’re easily offended. My favourite topics tend to be doing racial stuff, and doing impressions of accents, but at the same time I like to broaden my material so there will be some current affairs related political banter too. I’m always a bit paranoid of being a one-trick pony, so I try to find a good balance between intelligent, thought provoking punchlines, and jokes about sex and shit.

Interview with Mikey Bharj

Image of Mikey Bharj

Comedy Blogedy: How long have you been gigging in stand-up?

Mikey Bharj: I’ve been actively gigging for 6 months now, but to be honest I started the stand up comedy game when I was 11. So I spent my teen years performing the occasional comedy gig in proper adult comedy clubs. It was a great experience for me, because I got to meet my favorite comedians and ask them all the advice I wanted.

Comedy Blogedy: How would you describe your comedy?

Mikey Bharj: As a kid I grew up watching a lot of television and films. So over the years I have acquired a variety of popular references and voices I like to bring on stage. So you could say, I make satirical observations about the world. Also oddly enough, I’m half Indian and half Jamaican. So depending on the occasion I will joke about that.

Interview with Patrick Magee

Image of Patrick Magee

Comedy Blogedy: How long have you been gigging in stand-up?

Patrick Magee: Since 2005. My friend Dan was running a room as part of the Sydney Comedy Festival and he asked me if I wanted to have a go. I’d come straight from doing a play and so I was caked in clown make-up and completely unrecognisable. Which was good, because my jokes were absolutely terrible; if memory serves, I had a long routine about a sentient cummerbund that married a tie. I’ve been doing it on and off since then, but I really want to concentrate on it now I’ve moved to London.

Comedy Blogedy: How would you describe your comedy?

Patrick Magee: It’s mainly about things that annoy me. For a long time I wanted to write really killer one-liners and knockout gags, but they always seem to get more of a groan than a laugh. Now I concentrate on taking down those sections of society that really deserve it, like high-spirited children and Noel Faulkner.

Review: Paul Foot, ‘Still Life’, The Bloomsbury Theatre, London

Image of Paul Foot 'Still Life'

“Do not analyse the humour, yield to it!”

If ever there was a quote by Paul Foot that succinctly summarised how an audience is to react to his comedy, it is the above!

In an outfit that resembled one of the students from The Magic Schoolbus meets Shoreditch chic, Malcolm Head provided the support for Paul Foot, dabbling in different forms of poetry, stories and manifestos. Although the detail and creativity of the stories was humorous, Head’s reception seemed more that of an appreciated humour rather than laugh out loud funny, although there were a few moments of strong laughter that provided a gentle appetiser for the treat about to come.

As the second half began, right from the off-stage announcement, Paul Foot took his audience on a journey of unexpected silliness and extraordinarily hilarious humour. As Paul revealed the structure of the show, ironically this was no preparation for the “glimpses”, “nonsense”, and of course, “Penny” extravaganza that was to take place be it on the Bloomsbury Theatre stage or in the stalls.

Review: “I Have Something To Say – An Evening With Matt Fisher”, The Tristan Bates Theatre, London

Joz NorrisArrogant, thinks he’s a hit with the ladies and lacking complete self-awareness – Matt Fisher is one of the most exciting comic character creations on the up-and-coming comedy scene.

Joz Norris, the writer and performer of this one-man show, came on stage in a bright red shirt, a pair of grey jeggings and two pairs of sunglasses that provided an effective visual indication of just how moronic but equally hilarious Matt Fisher is. As soon as the show started, the intentional lack of powerpoint to performer synchronisation and the unique yet confident dance moves that lacked synchronisation with the music sparked off the “night of chat, rock, humour, dance, mime, crime and flirting with Tooting’s foremost neo-pre-Raphaelite” – an ambitious tag line but by the end of the show an accomplished one.

Review: Joe Wilkinson ‘My Mum’s Called Stella & My Dad’s Called Brian’, The Bloomsbury Theatre, London

Image of Joe Wilkinson

The theme music for Joe Wilkinson’s entry was MGMT’s ‘Kids’, a song that seemed to encapsulate his playful opening as, after raising his hands high in the air several times, as is characteristic of him, he jumped down and lovingly hugged individual members of the audience before literally rolling back onto the stage. This opening acted as a somewhat preface to the show as Wilkinson, whilst humouring the audience with a few anecdotes, used this opening to introduce his own support act.